Электронная коммерция 1903

Промпт

“Create a professional 16:9 cinematic storyboard/contact sheet for a 20-second photorealistic automotive commercial. Use the uploaded vehicle reference board as the strict identity reference. Show 6 sequential storyboard frames in one image, arranged 3 columns × 2 rows, equal-sized panels, chronological left-to-right. No captions, timestamps, labels, logos, UI or text. STRICT VEHICLE CONSISTENCY Every panel shows the exact same original electric GT coupe: low wedge nose, grilleless front, thin full-width white front light, vertical corner air channels, long wheelbase, sharp shoulder line, black-glass teardrop canopy, fastback rear, integrated ducktail spoiler, thin full-width red rear light, dark five-fin diffuser and satin-graphite five-spoke turbine wheels. Never redesign proportions or wheels. Only its material and scale evolve: graphite drawing → ochre clay 1:5 model → matte-grey full-size prototype → burnt-orange metallic production car. All locations feel physically connected: premium dark automotive design studio → cyan-lit wind tunnel → wet runway/open studio door → blue-hour mountain road. FRAME 1 — GRAPHITE Extreme macro, paper-level 3/4 view. Detailed graphite car sketch, front wheel appearing to rotate. Thin graphite construction lines rise from the paper as dimensional ribbons while remaining attached to the drawing. Dynamic wheel-to-nose composition. FRAME 2 — CLAY Elevated 3/4 view. Graphite ribbons transform into a highly detailed warm-ochre 1:5 clay model directly over the sketch. Part of the rear still transitioning from graphite into clay. Black temporary wheels contact the paper. FRAME 3 — SCALE Low side 3/4 tracking composition. Clay model rolls from paper onto a black drafting table toward the wind tunnel while expanding dramatically toward full scale. Front half becoming matte light-grey prototype. Surrounding table and studio objects clearly communicate scale. FRAME 4 — AERODYNAMICS Full-size matte-grey prototype inside a dark cyan-lit wind tunnel. Low front 3/4 hero angle. Several clean luminous cyan airflow ribbons wrap precisely from nose to tail, emphasizing wheel arch, canopy, shoulder and integrated spoiler. FRAME 5 — PAINT 85mm cinematic macro from front-left fender toward rear quarter. A controlled wave of deep burnt-orange liquid-metallic finish travels across the matte-grey body. Half prototype, half finished paint. Black canopy, graphite wheels and thin lights revealed behind the wave. FRAME 6 — ROAD Finished burnt-orange coupe driving fast through a sweeping left curve on a wet mountain road at blue hour. Front 3/4 rolling camera, realistic spinning wheels, subtle spray and reflections. Warm horizon glow on paint, cobalt mountains behind, distant illuminated studio doorway visible far back. VISUAL STYLE Photoreal premium automotive advertising, cinematic anamorphic composition, realistic materials and reflections, tactile graphite/clay, sophisticated studio lighting, deep blue-hour atmosphere, subtle motion blur and film grain, physically accurate scale and perspective. No people, characters, copyrighted imagery, recognizable existing vehicle, logos, badges, plates, text, extra cars, floating parts, malformed wheels, inconsistent geometry or fantasy styling.”